Comica Argentina: Two Panels
Two of more than twenty A1 panels designed by Peter Stanbury for the Comica Argentina Exhibition. On the left the work of Guillermo Divito, on the right a panel devoted to José Muñoz & Carlos...
Details
Comica Argentina
Peter Stanbury designed this persona for Comica Argentina, an exhibition of the comics of Argentina, to be shown at Canning House and King’s Place in London. There will be an exhibition and a series of related events between June 7 and July 4 2010, to tie in with celebrations of the bicentennial of independence. The...
Details
Comica Argentina: Guillermo Divito
Peter Stanbury designed Comica Argentina, an exhibition of more than twenty A1 panels, featuring some of the comic artists and cartoonists famous in Argentina, displayed at Canning House in London, as part of the celebrations of 200 years of the country's...
Details
Comica Social Club
Using the Persona house colour from the Comica Festival site, Peter Stanbury designed this informal badge for the Comica Social Club, emphasising the Graphic Novels enthusiasms of its members by signalled use of word balloons and the rounded friendly font of Cooper Black. Noise was added to further soften the background, but the COMICA logo...
Details
Comica Social Club Badges
Peter Stanbury designed these badges for the Comica Social Club and they are given to guests on arrival to ease social recogniton at the event. The club aims to informally bring together readers, cartoonists and comics creators, focused on comics, graphic novels and events in the Comica Festival. It is to be a monthly event....
Details
CCE: Milan Design Week
Such was the success of Nick Scott's fashion videography that he was invited to exhibit a selection of videos at the Milan Design Week. It was an image from this, by Tina Scott, that made it onto the front cover of Content Creation Europe with a photograph of Honor Fraser wearing a hat by Philip...
Details
CCE: Captain Scarlet Reborn
Computer Graphics attack the brand of Captain Scarlet more than forty years after his debut on the front cover of Content Creation Europe. Spectrum was red as our hero was hurled back to the future one more...
Details
CCE: Distopian CGI
The front cover of Content Creation Europe with its distopian science fiction CGI by Electric...
Details
Great British Comics
Peter Stanbury designed and co-wrote Great British Comics: Celebrating a Century of Ripping Yarns and Wizard Wheezes with Paul Gravett for UK publisher, Aurum Press....
Details
Escape Magazine: Issue Ten
Peter Stanbury chose a single panel from the story “Joe’s Bar”—by the Argentinian illustrator José Muñoz—blown up hugely for the first black and white cover for Escape magazine. “I wanted to show everyone just how dark and dramatic comics could be without using the American comic-book style of drawing.” The complete twenty-page story “Joe’s Bar”...
Details
Escape Magazine: Issue Nine
Issue Nine of Escape Magazine had a large feature on Spanish comics, “Especial Espana” with a cover by Spanish illustrator, Fernando Vicente, taken from a silk-screen print, with an inset of the Tempter in Glenn Dakin‘s Temptation—perfectly in keeping with the greed and lust of the main...
Details
Escape Magazine: Issue Eight
With issue eight, Escape Magazine leapt to a larger, 210mm by 280mm format allowing the editors to include larger comic-strip artwork from Europe....
Details
Escape Magazine: Issue Six
The A5 Escape Magazine hit issue six with a snarling, punk collage wraparound cover by Andy Dog, real name Andy Johnson....
Details
Escape Magazine: Issue Two
When issue two of the A5 Escape Magazine burst forth with a wrap-around cover by Rian Hughes, not only did it have interviews with Glen Baxter and the reclusive Mark Beyer, but it sported a 8-page section of 3-D...
Details
Escape Magazine: Issue One
Escape Magazine was A5 in size and had a wraparound cover by Phil Elliott, Peter Stanbury hand-separated the colours. These earliest issues had a hand-drawn...
Details
